Home > My Compositions

Compositions Composition/s (Kanji)
music stave

This page provides a historical record of my compositional activities for the period 1987 to 1994 - which covers late high-school to the end of my first university degree (Bachelor of Creative Arts (in Music)).

Some of my compositions were recorded for University Media Department videos, while others were candidates for radio ad submissions (nothing too significant)... but often, I just composed for myself.

Background Information on the creation of these compositions

My bedroom studio

Just to be clear, all of the compositions on this page were arranged and/or composed and then recorded by myself using various electronic and acoustic instruments and equipment

Basically, I used a computer with sequencer software called 'Notator' (an EMagic Product) to mix and manage the individual parts.

The mp3 files below are not direct digital recordings but are recordings of mix-downs onto standard audio tape. Some tapes were quite old when I finally found them (2001-2002) and some recordings may exhibit less-than-optimal quality as a result of this.

Title File size Description Length (Min:Sec) Copyright
Sonata in Eb minor 1.1 MB My arrangement of a segment from Beethoven's Piano Sonata in Eb minor - complete with electric guitar and other interesting instrumentation decisions. This is not how Beethoven would have envisaged it, but I have been careful to maintain the essence of the composition. 1:07 © Peter van der Woude 1994
Volleyball Ad 0.5 MB Originally composed for a radio commercial, this ad is backing music only (ie. without the vocals) but is entertaining nevertheless. This ad was not submitted for final mixing and was recorded for an Indoor Volleyball Centre ad. 0:30 © Peter van der Woude 1994
Emu of Eternity 2.2 MB This was my first instrumental recording effort. I performed Emu of Eternity without any sequenced parts - it's all human (me). The instruments I played are drumkit, saxophone (tenor) and the ubiquitous keyboard.
The recording studio used here was low quality but I couldn't afford anything else. As you will hear, my style is to chop and change amongst various styles and I was fond of squeezing in the odd time-signature change (just to impress my music teacher).
3:06 © Peter van der Woude 1988
Guitar Sonata no. 2 1.7 MB Despite a questionable classical-guitar technique (for this instrument I remained self-taught) I managed to scratch out a few little classical-like pieces on my nylon-string. 1:45 © Peter van der Woude 1987
Power-tool Ad 0.5 MB This piece is meant to invoke the impression of steel, power and ... well, you get the idea... It was recorded for a hardware store ad. 0:30 © Peter van der Woude 1994
Elabana 2.9 MB A 'nice' mellow arrangement. This is a smooth, melodically appealing piece with some pleasant sounds and instrumental effects.
Elabana features a simulated acoustic guitar lead (played on keyboard). This piece was rejected as background music for a particular video (although the wife of the Head of the Media Dept. took a recording of it and loved it... I'm not sure what that means). You might notice that I recorded each individual high-hat strike on the drumkit sound to ensure an authentic performance (I hated drum machines)
3:09 © Peter van der Woude 1993
SlapBack 0.5 MB An interesting use of 'slapback echo' effects is employed in this composition which incorporates a groovy baseline and ethereal keyboard interludes. 0:30 © Peter van der Woude 1994
She's Dutch (Dance Mix) 2.2 MB Based on a recurring theme (the note-sequence A-G-E-D), this arrangement incorporates a medley-like structure which progresses through various harmonic transitions and musical styles.
The song She's Dutch was written by my good friend Owen Jolly, who is a member of the band Halfday
This arrangement bears little resemblance to the original work, but incorporates some of the main melodic phrases.
2:22 © Peter van der Woude 1993
Spasamistic 2.3 MB This was my final Opus. Spasamistic is interesting, especially in its state of somewhat 'incompleteness'. This composition chops and changes with some groovy percussion and smooth chromatic chordal progressions. This is my favourite... The cool groove feel in the intro section makes me regret that I haven't done anything since... 2:26 © Peter van der Woude 1994
Eyes that See the Wind 2.5 MB I find the 'relaxation music' available in post offices and environment shops really 'boring'. This is my attempt to prove that a composition can be relaxing and soothing but still musically interesting. 2:40 © Peter van der Woude 1994
Spozart 2.4 MB This might be classed as a Neo-Classical work. It's something I arranged for an orchestral-type ensemble with a genuine almost pure classical harmonic basis. The structure is a little more varied than might otherwise be expected and the instrumentation is custom-made for electronic sounds - but with a piano eventually taking the leading role. Sort of a Neo classical quasi-piano-concerto-ensemble for alternative electronic instruments 2:30 © Peter van der Woude 1993
Pan Jam 613 Kb A $500 keyboard/sound module with flute, bass and drumkit sounds is all I needed to inspire this little piece-ette. It's something yet not much... I really like it as it is compositionally 'tasty', making do with just a few basic sounds and a porridge-like imagination (?I really shouldn't write these descriptions when I'm hungry...) One of the first things I created with my electronic setup. 0:39 © Peter van der Woude 1990
Spurry Playing Piano
Piano Jam
2.6 MB For a deeper insight into my compositional adventures - here is some video footage of me on piano (I recorded this to test the video feature on my digital camera). I play some blues and some ... non-blues tidbits in this short, improvised jam session. Sound and video quality is not great
(right-click the picture and choose "Save Link/Target as...")
1:36 © Peter van der Woude, November 9th, 2002

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Updated: 15th July, 2008
by Peter van der woude
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URL: www.spurrymoses.com/compositions